How Popular Music Works, and Why It Matters

From Oxford University Press, through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-topping songs. 

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Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs since 2014, showing that pop music matters.

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Explains the musical techniques behind 20 years of pop hits and why they’re loved, revealing the surprising connections between contemporary pop music and musical styles from around the world and across history

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With engaging discussions and eye-catching illustrations by Iris Gottlieb, every music lover—from fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers—will discover something ear-opening.

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About the book

Pop music surrounds us – in our cars, over supermarket speakers, even when we are laid out at the dentist – but how often do we really hear what’s playing? Switched on Pop is the book based on the eponymous podcast that has been hailed by NPRRolling StoneThe Guardian, and EntertainmentWeekly for its witty and accessible analysis of Top 40 hits. Through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-topping songs.

In 1939, Aaron Copland published What to Listen for in Music, the bestseller that made classical music approachable for generations of listeners. Eighty years later, Nate and Charlie update Copland’s idea for a new audience and repertoire: 21st century pop, from Britney to Beyoncé, Outkast to Kendrick Lamar. Despite the importance of pop music in contemporary culture, most discourse only revolves around lyrics and celebrity. Switched on Pop gives readers the tools they need to interpret our modern soundtrack. Each chapter investigates a different song and artist, revealing musical insights such as how a single melodic motif follows Taylor Swift through every genre that she samples, André 3000 uses metric manipulation to get listeners to “shake it like a Polaroid picture,” or Luis Fonsi and Daddy Yankee create harmonic ambiguity in “Despacito” that mirrors the patterns of global migration.

Replete with engaging discussions and eye-catching illustrations by Iris GottleibSwitched on Pop brings to life the musical qualities that catapult songs into the pop pantheon. Readers will find themselves listening to familiar tracks in new ways and not just those from the Top 40. The timeless concepts that Nate and Charlie define can be applied to any musical style. From fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers, every music lover will discover something ear-opening in Switched on Pop

Songs discussed - playlist

Ariana Grande ft. Zedd — “Break Free” (2014)

Beyoncé — “Love on Top” (2011)

Britney Spears — “Oops! . . . I Did It Again” (2000)

Carly Rae Jepsen — “Call Me Maybe” (2011)

Drake — “God’s Plan” (2018)

Fun ft. Janelle Monáe — “We Are Young” (2011)

Jay-Z & Kanye West ft. Frank Ocean — “Made in America” (2011)

Justin Timberlake — “What Goes Around . . . Comes Around” (2006)

Kelly Clarkson — “Since U Been Gone” (2004)

Kendrick Lamar — “Swimming Pools” (2012)

Luis Fonsi ft. Daddy Yankee — “Despacito” (2017)

M.I.A. — “Paper Planes” (2008)

Outkast — “Hey Ya!” (2003)

Paul McCartney — “Get Enough” (2019)

Rihanna ft. Calvin Harris — “We Found Love” (2011)

Sia — “Chandelier” (2014)

Skrillex — “Scary Monsters and Nice Sprites” (2010)

Taylor Swift — “You Belong with Me” (2008)

Toby Keith — “Made in America” (2011)

Key musical concepts

Meter, Melody, Harmony, Form, Timbre, Lyric, Hooks, Rhyme, Syncopation, Modulation, Counterpoint, Sampling, Sound Design, Tonal Ambiguity, Musical Identity, and Genre

(photo: Ellyn Jameson)

(photo: Ellyn Jameson)

ABOUT THE AUTHORS

Nate Sloan (right) and Charlie Harding (left) are the co-hosts of Switched on Pop and longtime musical collaborators. Nate is Assistant Professor of Musicology at the University of Southern California. Charlie is Executive Producer of the show and a multi-instrumentalist and songwriter.

Praise for Switched On Pop

“As smart and playful as the podcast that preceded it, Switched On Pop finds inventive ways to put sound on paper.”- Linda HolmesHost of NPR's Pop Culture Happy Hour and author of Evvie Drake Starts Over

“As smart and playful as the podcast that preceded it, Switched On Pop finds inventive ways to put sound on paper.” - Linda Holmes

Host of NPR's Pop Culture Happy Hour and author of Evvie Drake Starts Over

“Switched On Pop is an essential text for anyone who imagines the song to be a curious machine, burrowing its way into our hearts and minds.”- Hanif AbdurraqibAuthor of Go Ahead in the Rain: Notes on a Tribe Called Quest

“Switched On Pop is an essential text for anyone who imagines the song to be a curious machine, burrowing its way into our hearts and minds.” - Hanif Abdurraqib

Author of Go Ahead in the Rain: Notes on a Tribe Called Quest

“A unicorn of a book: a work of public scholarship that neither ignores the public nor skimps on the scholarship. It is musicology that thinks about feelings and feels about thinkings. A rare feat!” - Phil Ford

Associate Professor, Indiana University Jacobs School of Music, co-host of the Weird Studies podcast

 “Sloan and Harding’s ode to popular music reintroduces the Billboard Top 100 to the field of musicology and the snobbiest of vinyl collectors. A necessary addition to any music collection.” Library Journal, starred review

 “A thoughtful approach in looking at music that may otherwise be considered silly or unworthy of analysis.” The Atlantic

 “Filled with sophisticated but accessible discussions . . . the Switched on Pop book provides a toolkit for appreciating popular music.” The Wall Street Journal

“Sloan and Harding take great care in helping us understand why pop music sounds the way it does, and why pop music is important in your life, no matter who you are.” Paste Magazine

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