Phoebe Bridgers opens her Moleskine
Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments quite like Phoebe Bridgers
We have Confessions to make…
Confessions II is Madonna’s biopic, allowing her to tell her story on her own terms
A piano lesson that will change how you listen (ft. Lang Lang)
Charlie sits down with Lang Lang at the Steinway showroom in New York City to see how taste changes over time
Take It to the Bridge (ft. Tayla Parx)
Bridges open up the world of a song, but some critics say they’re in danger of disappearing.
Let’s get it started
Charlie and Nate kick off their Netflix launch and probe what an intro means in today's musical landscape
Music only the World Cup could make
Every four years a new crop of songs gets commissioned to drum up excitement for the World Cup
2hollis is the underground’s genre-hopping vampire
In the last episode of our feral pop miniseries, we take a look at the 22 year old rave-rapper primed to take over the world
Pop music for an internet-pilled generation
No feral pop artist is more tapped into that microgenre than underscores
The new wave of pop is here, and it’s feral
While the charts have been stagnant, Gen-Z has been crafting a sound that is exciting, unpredictable, and above all else, feral.
Olivia Rodrigo has The Cure for sadness
Olivia Rodrigo channels spiral song forms and thwarted desire on her third album.
Paul McCartney went back to Liverpool for something new to say
Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, came when McCartney was 83.
How a sci-fi dystopia became a personal utopia (ft. Arc Iris)
Arc Iris on the release of iTMRW
Why bands give us purpose (ft. MUNA)
MUNA makes the case for the band in a culture built for solo acts
Rostam reimagines American music
Rostam’s ‘American Stories’ fuses Americana and Persian sounds
Eurovision is back – but not without controversy
The Eurovision Song Contest is upon us once again, but with an asterisk