Take It to the Bridge (ft. Tayla Parx)
Bridges open up the world of a song, but some critics say they’re in danger of disappearing.
Let’s get it started
Charlie and Nate kick off their Netflix launch and probe what an intro means in today's musical landscape
Music only the World Cup could make
Every four years a new crop of songs gets commissioned to drum up excitement for the World Cup
2hollis is the underground’s genre-hopping vampire
In the last episode of our feral pop miniseries, we take a look at the 22 year old rave-rapper primed to take over the world
Pop music for an internet-pilled generation
No feral pop artist is more tapped into that microgenre than underscores
The new wave of pop is here, and it’s feral
While the charts have been stagnant, Gen-Z has been crafting a sound that is exciting, unpredictable, and above all else, feral.
Olivia Rodrigo has The Cure for sadness
Olivia Rodrigo channels spiral song forms and thwarted desire on her third album.
Paul McCartney went back to Liverpool for something new to say
Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, came when McCartney was 83.
How a sci-fi dystopia became a personal utopia (ft. Arc Iris)
Arc Iris on the release of iTMRW
Why bands give us purpose (ft. MUNA)
MUNA makes the case for the band in a culture built for solo acts
Rostam reimagines American music
Rostam’s ‘American Stories’ fuses Americana and Persian sounds
Eurovision is back – but not without controversy
The Eurovision Song Contest is upon us once again, but with an asterisk
Olivia Rodrigo and the second verse massacre
A growing wave of today's biggest pop stars are ditching the verse-chorus formula
Hrishikesh Hirway made an album about running out of time — in no time
The host of Song Exploder on rediscovering his voice by making his album In The Last Hour of Light the hard way.
BTS is back. But K Pop is not the same.
BTS is back. Is their album Arirang the future or the past of K Pop?