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Rihanna Party! (with Gina Delvac)

Last year, NPR Music ran an audacious headline: “Rihanna Is The 21st Century’s Most Influential Musician.” Millions and millions of fans the world over agree, and while we try to avoid overt expressions of pop favoritism, we think they’ve got a strong case.

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Jazz 1959 (with Natalie Weiner)

We listen to classic 1959 albums Miles Davis’s Kind of Blue and Dave Brubeck’s Take Out, discuss the complex legacy of Billie Holiday, and dig into some of the year’s forgotten gems.

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Songs of Summer Call-in Special

What does summer sound like? To answer that question, we asked you, our listeners, and got some downright awesome suggestions in return.

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Beyonce’s Gift To Africa (with Ivie Ani)

For the live action remake of the Lion King, Beyoncé, (who voices Nala in the film), recorded and curated a companion soundtrack called The Gift. She worked with leading Afropop stars to expose the music of the continent to a global audience.

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LCD Soundsystem and the Unbearable Sameness of Restaurant Playlists

Why is it that every hip restaurant plays the same music? When Eater restaurant editor Hillary Dixler Canavan kept hearing similar songs while dining for work assignments, she compiled a playlist of what she heard. It included songs by LCD Soundsystem, M83, Grimes, Biggie, Beck and the like.

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The $50M Beat Marketplace That Broke the Billboard

Lil Nas X licensed the beat for “Old Town Road” from an e-commerce platform. He originally bought a non-exclusive copy of the backing track for just $29.99 from a 19 year old Dutch record producer called YoungKio. And he’s not the first hitmaker to do so…

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Shawn Mendes and the Rhythm of Rhyme

Shawn Mendes’ hit song “If I Can’t Have You” is so ridiculously catchy that Charlie had it stuck in his head after the first chorus. How is that possible?! Declamation.

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Why Does Every Intro Sound Like It’s Underwater? (Live)

Ever notice that wobbly, drunken and underwater sound common in so many contemporary pop songs? In an era of pristine recording quality, music producers are referencing old and impure technologies to add character to their recordings.

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