Pop music for an internet-pilled generation
No feral pop artist is more tapped into that microgenre than underscores
The new wave of pop is here, and it’s feral
While the charts have been stagnant, Gen-Z has been crafting a sound that is exciting, unpredictable, and above all else, feral.
Olivia Rodrigo has The Cure for sadness
Olivia Rodrigo channels spiral song forms and thwarted desire on her third album.
Paul McCartney went back to Liverpool for something new to say
Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, came when McCartney was 83.
How a sci-fi dystopia became a personal utopia (ft. Arc Iris)
Arc Iris on the release of iTMRW
Why bands give us purpose (ft. MUNA)
MUNA makes the case for the band in a culture built for solo acts
Rostam reimagines American music
Rostam’s ‘American Stories’ fuses Americana and Persian sounds
Eurovision is back – but not without controversy
The Eurovision Song Contest is upon us once again, but with an asterisk
Olivia Rodrigo and the second verse massacre
A growing wave of today's biggest pop stars are ditching the verse-chorus formula
Hrishikesh Hirway made an album about running out of time — in no time
The host of Song Exploder on rediscovering his voice by making his album In The Last Hour of Light the hard way.
BTS is back. But K Pop is not the same.
BTS is back. Is their album Arirang the future or the past of K Pop?
Ten years of "Alaska": Maggie Rogers on going viral and singing for 200,000 protestors
Maggie Rogers on 10 years of Alaska
Learning to Love Train: "Drops of Jupiter" is back in the atmosphere
Learning to love Train
Slayyyter might actually be the 'Worst Girl in America'
Going for broke turned out to be the most honest thing Slayyyter ever made.
How Charlie Puth honored Whitney Houston for 125 million people (live at Berklee NYC)
Charlie Puth breaks down his national anthem performance live at Berklee NYC.
RAYE’s maximalist masterpiece is the hope we need
For RAYE, hope is something you have to build, genre by genre, track by track
Where have all the white rappers gone?
Jack Harlow's new album is a rejection of hip-hop. It mirrors several other “white rapper” pivots over the past decade.